Suprano:   \(\hat{6}\)  \(\hat{1}\)  \(\hat{3}\)

Bass:      \(\hat{6}\)

Inversions:  VI

   Root position only

Doubling: All acceptable; doubling the root is most common.
For the deceptive cadence, double \(\hat{1}\).

     c: VI     VI    VI

     \((\hat{6}\)\(\hat{6}\)\(\hat{1}\)\(\hat{3}\))   \(\quad(\hat{6}\)\(\hat{6}\)\(\hat{1}\)\(\hat{3}\))   \(\quad(\hat{6}\)\(\hat{1}\)\(\hat{1}\)\(\hat{3}\))