Soprano:   \(\hat{7}\)  \(\hat{2}\)  \(\hat{4}\)

Bass:      \(\hat{2}\)

Inversions:   vii°⁶

  First inversion only

Doubling: Never double the leading tone \((\hat{7}\));
doubling \((\hat{2}\)) is best.

  C: vii°⁶     vii°⁶      vii°⁶

  \((\hat{7}\)\(\hat{2}\)\(\hat{2}\)\(\hat{4}\))     \((\hat{7}\)\(\hat{2}\)\(\hat{2}\)\(\hat{4}\))     \(\quad(\hat{7}\)\(\hat{2}\)\(\hat{4}\)\(\hat{4}\))