Subdominant Triad (iv)

Suprano:   \(\hat{4}\)  \(\hat{6}\)  \(\hat{1}\)

Bass:      \(\hat{4}\)  \(\hat{6}\)

Inversions:   iv   iv⁶

Doubling: All acceptable; doubling the root is most
common. For the Phrygian half cadence, double \(\hat{1}\) .

Chord Map

     c: iv     iv    iv⁶

     \((\hat{4}\)\(\hat{4}\)\(\hat{6}\)\(\hat{1}\))   \(\quad(\hat{4}\)\(\hat{4}\)\(\hat{6}\)\(\hat{1}\))  \(\quad(\hat{4}\)\(\hat{6}\)\(\hat{1}\)\(\hat{1}\))

Following Chord